Editorial desk / Sources & credits
Follow the
evidence.
A reading list for this issue. Institutional accounts, owner-published records and our editorial interpretation remain distinct.
Source register
Sources accessed on 21 September 2026. External pages may change. Descriptions in this issue are original summaries, not reproductions of full source texts.
Images and catalogue information
The three artwork reproductions in this issue come from ediknatanovcollection.com, the reference supplied for this project. The source site states that artwork images and archival materials were provided by the collection owner. They are credited to Natanov Collection; no open licence is asserted here. Rights remain with the relevant rights holders. Reuse beyond this supplied editorial project should be cleared with them.
- Suprematism — source image. Catalogue attribution: Kazimir Malevich, 1915.
- Syrian Costume — source image. Catalogue attribution: Alexandra Exter, 1917.
- Still Life with Guitar, Violin and Playing Cards — source image. Catalogue attribution: Lyubov Popova, 1914.
Editorial approach
Private Art Collections is an independent editorial website, not an official publication of the people or institutions featured. Collection histories are summarised from the linked sources. The Natanov dossier reports the owner’s archive without treating it as independent verification of attribution, provenance or exhibition participation.
The interviews section introduces previously published conversations and links to their publishers. No answers or quotations have been invented. Research methods and interpretive questions are identified as editorial synthesis.
About this edition
Volume 01 explores private collecting, the Russian avant-garde, public access and preservation. It is a curated issue, not an exhaustive directory or a market guide.